That Sounds Scary

1. Admin. "The New Wave of Asian Horror - MovieMaker Magazine." MovieMaker Magazine. 2005. Web. 10 May 2016.

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2. Ball, Sarah. "The Uncanny in Japanese and American Horror Film: Hideo Nakata’s Ringu and Gore Verbinski’s Ring."              Graduate Thesis for North Carolina State University (2008). Web. 24 Feb. 2016.

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3. Balmain, Colette. "Inside the Well of Loneliness." Electronic Journal of Contemporary Japanese Studies (2006). Asia-            Studies. Web. 23 Mar. 2016. <http://www.asia-             

           studies.com.webster.austincollege.edu/asia/EJCJS/DP/200603.pdf>.

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4. Burch, Noel. "Approaching Japanese Cinema." Cinema and Language. (1983) Print.

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5 Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh UP, 2008. Print.

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6. Chion, Michel. Film, a Sound Art. New York: Columbia UP, 2009. Print.

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7. Corliss, Richard. "Horror: Made in Japan." Time. Time Inc., 2004. Web. 10 May 2016.

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8. Dean, Britten. "That `Howling' Music. Japanese Hogaku in Contrast to Western Art Music." Monumenta Nipponica             40.2 (1985): 147-62. JSTOR. Web. 23 Mar. 2016. <http://www.jstor.org/stable/2384717>.

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9. Dym, Jeffrey A. "Benshi and the Introduction of Motion Pictures to Japan." Monumenta Nipponica 55.4 (2000): 509-             36. JSTOR. Web. 23 Mar. 2016. <http://www.jstor.org/stable/2668250>.

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10. Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930. New York, NY: Simon &                         Schuster, 1997. Print.

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11. Freiberg, Freda. "The Transition to Sound in Japan." The Transition to Sound in Japan. Web. 09 Mar. 2016.

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12. Grimshaw, Mark. "The Audio Uncanny Valley: Sound, Fear and the Horror Game." Games Computing and Creative            Technologies: Conference Papers (Peer Reviewed) (2009). Web. PDF. Jan. 2016.

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13. Hantke, Steffen. Horror Film: Creating and Marketing Fear. Jackson: U of Mississippi, 2004. Print.

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14. Heimerdinger, Julia. "Music and Sound in the Horror Film & Why Some Modern and Avant-garde Music Lends Itself             to It so Well." Beiträge Zur Musik Der Gegenwart 4 (2012): 4-16. Academia. Web. 1 Mar. 2016.

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15. Kairo. Dir. Kiyoshi Kurosawa. By Kiyoshi Kurosawa. Perf. Kumiko Aso and Haruhiko Kato. Toho, 2001.

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16 .Kamien, Roger. Music: An Appreciation. New York: McGraw-Hill, 1976. Print.

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17. MacIntyre, Curtis. INFRASOUND, AUDITORY DRIVING, AND NONLINEAR SOUND IN HORROR FILM SOUND                      EFFECTS. Print.

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18. Moncrieff, S., S. Venkatesh, and C. Dorai. "Horror Film Genre Typing and Scene Labeling via Audio Analysis." 2003                  International Conference on Multimedia and Expo. ICME '03. Proceedings (Cat. No.03TH8698) (2003). Web. 09                Mar. 2016.

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19. Nitschke, Gunter. "MA: Place, Space, Void." Kyoto Journal. Web. 21 Mar. 2016.

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20. Phillips, Alastair, and Julian Stringer. Japanese Cinema: Texts and Contexts. London: Routledge, 2007. Print.

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21. Pulse. Dir. Jim Sonzero. By Wes Craven and Ray Wright. Perf. Kristen Bell and Ian Somerhalder. Dimension Films,                2006.

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22. Rucka, Nicholas. "The Death of J-Horror?" Midnight Eye. Web. 09 Mar. 2016.

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23. Vick, Tom. Asian Cinema: A Field Guide. New York: Collins, 2007. Print.

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24. Wee, Valerie. "Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring." Cinema Journal 50.2 (2011):           41-60. JSTOR. Web. 09 Mar. 2016. <http://www.jstor.org/stable/41240693>.

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25. Whittington, William. "Acoustic Infidelities: Sounding the Exchanges between J-Horror and H-Horror Remakes."                 Cinephile 6.1 (2010). Web. 1 Mar. 2016.

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26. Wrigley, Nick. "Yasujiro Ozu." Senses of Cinema. 2003. Web. 09 May 2016.