That Sounds Scary
Gabrielle Margocs' Independent Study @ Austin College
2. Ball, Sarah. "The Uncanny in Japanese and American Horror Film: Hideo Nakata’s Ringu and Gore Verbinski’s Ring." Graduate Thesis for North Carolina State University (2008). Web. 24 Feb. 2016.
3. Balmain, Colette. "Inside the Well of Loneliness." Electronic Journal of Contemporary Japanese Studies (2006). Asia- Studies. Web. 23 Mar. 2016. <http://www.asia-
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4. Burch, Noel. "Approaching Japanese Cinema." Cinema and Language. (1983) Print.
5 Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh UP, 2008. Print.
6. Chion, Michel. Film, a Sound Art. New York: Columbia UP, 2009. Print.
7. Corliss, Richard. "Horror: Made in Japan." Time. Time Inc., 2004. Web. 10 May 2016.
8. Dean, Britten. "That `Howling' Music. Japanese Hogaku in Contrast to Western Art Music." Monumenta Nipponica 40.2 (1985): 147-62. JSTOR. Web. 23 Mar. 2016. <http://www.jstor.org/stable/2384717>.
9. Dym, Jeffrey A. "Benshi and the Introduction of Motion Pictures to Japan." Monumenta Nipponica 55.4 (2000): 509- 36. JSTOR. Web. 23 Mar. 2016. <http://www.jstor.org/stable/2668250>.
10. Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930. New York, NY: Simon & Schuster, 1997. Print.
12. Grimshaw, Mark. "The Audio Uncanny Valley: Sound, Fear and the Horror Game." Games Computing and Creative Technologies: Conference Papers (Peer Reviewed) (2009). Web. PDF. Jan. 2016.
13. Hantke, Steffen. Horror Film: Creating and Marketing Fear. Jackson: U of Mississippi, 2004. Print.
14. Heimerdinger, Julia. "Music and Sound in the Horror Film & Why Some Modern and Avant-garde Music Lends Itself to It so Well." Beiträge Zur Musik Der Gegenwart 4 (2012): 4-16. Academia. Web. 1 Mar. 2016.
15. Kairo. Dir. Kiyoshi Kurosawa. By Kiyoshi Kurosawa. Perf. Kumiko Aso and Haruhiko Kato. Toho, 2001.
16 .Kamien, Roger. Music: An Appreciation. New York: McGraw-Hill, 1976. Print.
17. MacIntyre, Curtis. INFRASOUND, AUDITORY DRIVING, AND NONLINEAR SOUND IN HORROR FILM SOUND EFFECTS. Print.
18. Moncrieff, S., S. Venkatesh, and C. Dorai. "Horror Film Genre Typing and Scene Labeling via Audio Analysis." 2003 International Conference on Multimedia and Expo. ICME '03. Proceedings (Cat. No.03TH8698) (2003). Web. 09 Mar. 2016.
19. Nitschke, Gunter. "MA: Place, Space, Void." Kyoto Journal. Web. 21 Mar. 2016.
20. Phillips, Alastair, and Julian Stringer. Japanese Cinema: Texts and Contexts. London: Routledge, 2007. Print.
21. Pulse. Dir. Jim Sonzero. By Wes Craven and Ray Wright. Perf. Kristen Bell and Ian Somerhalder. Dimension Films, 2006.
22. Rucka, Nicholas. "The Death of J-Horror?" Midnight Eye. Web. 09 Mar. 2016.
23. Vick, Tom. Asian Cinema: A Field Guide. New York: Collins, 2007. Print.
24. Wee, Valerie. "Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring." Cinema Journal 50.2 (2011): 41-60. JSTOR. Web. 09 Mar. 2016. <http://www.jstor.org/stable/41240693>.
25. Whittington, William. "Acoustic Infidelities: Sounding the Exchanges between J-Horror and H-Horror Remakes." Cinephile 6.1 (2010). Web. 1 Mar. 2016.
26. Wrigley, Nick. "Yasujiro Ozu." Senses of Cinema. 2003. Web. 09 May 2016.